JP
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| Create | Control | |
Consume | Command |
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| <-- RIGHT |
RHIZOME VS. TREES
TREES VS. RHIZOME
I like this :LANGUAGE spreads like a patch of oil. There is such complexity
with language
it is like
a rhizome.
It is everywhere no matter where you go. Organisms even have a language regardless of
3whether it is verbal or not.
This is all mind boggling. Language is rhizomatic like a beureacratic whose languauge is static and enigmatic yet able to multiply like 2 full grown rabbits!
3
INDETERMINACY
LOVE
ACTIVITY, NOT COMMUNICATION
DEVOTION
ANARCHY
INVENTION
3
"Interactive works are like a candy machine. You put your money in, press a button, and the machine spits out the chocolate bar of your choice." (Reader 19)
THE WORLD AS INTERFACE 3
the disappearance of reality
"they observed seeing, unfolded the techniques of seeing the seeing (opseoscopy)"-weibel
"GIVE
THE VISUAL
OBJECTS AT HAND THEIR
FREEDOM, AND ALLOW THE DISTANT TO
COME TO YOU; AND WHEN MOUNTAINS ARE MOVING,
YOU WILL FIND NO FAT IN THIS PROSE" -BRAKHAGE
HYPERTEXT:tHe alPhanumERICAL PHOENIX :
"nO LONGER STATIONARY ON THE PAGE, THE WORD ONCE DIGITIZED IS ALFLOAT IN A UNIVERSE OF POLYVALENT DATABASES."
tExT
narrative opERATES as a vast multithreaded network that reflects the associative tendencies of the mind
W
E
E
K
-
E
I
G
H
T
"Formal processes occur within the work of art which correspond to the natural organic tendencies in man"-deleuze 171
is this true?? Does man have a tendency to view objects in a certain way? Do we all reach a consensus as to what is aesthetically pleasing to the eye??? THREE
ithinkthatmangoesthroughcycleswhereartbecomesstyledandartistseemtofollowaparticularflowinthemediumbeingusedsothatthereisaninfluxincomputerbasedartforexampleorwhenpaintingwasinorwhencertainperiodsevolveovertimelikedadaorboroquebutwiththedigitalage,artisitsarefindingwaysofdealingwithartthatisconfinedwithincomputers
asfortheformalprocesses,Idobelievethattheydocorrespondtowhatmanisunconciouslyawareofinmakingart.
HAPtic? Optic? closE VisIOn? dISTANT VISIOn?
maybe this
reading is hinting
at the idea that space is
free action and this is where the beginning
of abstract art formulates
where formal processes are
great but should
be thrown
out the window
if we want to
open our art up
to another
level which is not
restricted. is this what is meant by "IF EVERYTHING IS ALIVE, IT IS NOT BECAUSE EVERYTHING IS ORGANIC OR ORGANIZED BUT, ON THE CONTRARY, because the organism is a diversion of life" ?
blAck cinemA
3 dimensions
functional
aesthetic
spiritual
Nomads and Blacks......................"both opt not to adopt but to adapt"...........................
"All filmic phenomena are subordinate in importance to the voyage"
Godard
was
a
filmmaker
who
liked
to
use
this
idea
of
the
voyage.
He
would
guide
the
viewers
through
his
films
but
the
story
would
be
nonlinear
and
it
was
about
the
voyage
in
the
films
and
how
he
would
take
the
viewer
on
a
ride.
Black Cinema and Nomadic Art
functions to disrupt viewing habits and to transform the way people look at
cinema and how they relate to it. It makes the viewer aware of their role as the audience.
Much like how Godard and the French New Wave challenged the
way we look at cinema, so does the Black Independants and Nomadic Art.
"It is a cinema freed from story and linear structure."
Derive
b spontaneous
k e e p
e x p l o r i n g
a n d
d o n t
b e
s t u c k
on the new
E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E E X P L O R E
TEMPORARY AUTONOMOUS
ZONE
SURGO
INSURGO
WONDER
DRIFT
IMAGINE
EXPAND
TRAVEL
INFINITY
AVOID STAYING PUT
KEEP GOING
DONT STOP
FREEDOM
OPEN
EXIST
BE SPONTANEOUS
where does the TAZ exist?
